After the successful launch of Trilogy, The Necessary Stage returns with another collection of plays, Shorts I by Haresh Sharma.
This collection of 6 plays contains some of Sharma’s best and most popular early works. 3 of them, Lanterns Never Go Out, Still Building and More have been published in a previous collection, but which is no longer available.
The other 3 plays, Hope, Talk I and Talk II have never been published before.
The collection also contains an introduction by Alvin Tan as well as notes to each play by Sharma.
“In the world of Singapore theatre, few can doubt that Haresh Sharma… is among its most powerful drivers”
“The early plays by Sharma have a freshness and vitality which open up spaces for asking new questions of regimes and political systems. They raise new ideas about issues often overlooked on stage. Sharma doesn’t create a discourse of antagonism or aggressive advocacy for change. Rather, he gently opens up little corners, pushes aside, just a little, the curtains, to open up a new discourse of what it means to be the first adult new Singaporeans post separation.”
The Necessary Stage
Formed in 1987 by our Artistic Director Alvin Tan, The Necessary Stage (TNS) is a non-profit theatre company with charity status. Our mission is to create challenging, indigenous and innovative theatre that touches the heart and mind. TNS is a recipient of the National Arts Council’s Major Grant FY2014-FY2016, and is also the organiser of the annual M1 Singapore Fringe Festival. TNS also has the honour of being the only arts company in Singapore helmed by two Cultural Medallion recipients: Artistic Director Alvin Tan and Resident Playwright Haresh Sharma.
2017 sees TNS celebrating its 30th anniversary. Having presented more than 100 original plays in Singapore and abroad, TNS remains focused on breaking new ground in original local content and intercultural exploration.
For its Main Season, TNS produces an average of two plays a year at our black box and other venues. The plays are original, mostly devised pieces created in a collaborative process that is based on research, improvisation before scripting, and input from all members of the production.
We are also committed to international exchange and networking between Singapore and other countries through the staging of the company’s plays abroad, inviting foreign works to be presented by the company in Singapore, through dialogues, workshops and training opportunities as well as creative collaborations leading to intercultural and interdisciplinary productions.
TNS has also curated and presented the M1 Singapore Fringe Festival from 2005 to 2014. While we continue to be the organisers of the festival, as part of our new strategy to refresh the direction of the Festival, we began a rotating Artistic Directorship with appointments on three-year basis to helm the curating of the Festival.
TNS has also been unwavering in its efforts to nurture new talents and local content, through platforms such as the Theatre for Youth Ensemble, Playwrights’ Cove, commissions at the Fringe Festival, Theatre for Seniors, and The Orange Playground, the latter being an initiative in creative research and development, providing artists with an exploratory environment where risks can be freely taken within and with the creative process. In the second half of 2017, TNS will be launching an online archival portal at tnsarchives.com, providing the public access to its 30 years of history, as well as The Orange Production, its newest initiative that will see TNS’ creative personnel working with emerging artists, to develop small-scale productions for staging in its black box theatre.
For more information, visit www.necessary.org
View all books by The Necessary Stage here
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